Artists in Residence
Time and space to create. A veritable incubator for the creation of new contemporary dance works, Agora de la danse welcomes a number of artists throughout the year to its Montreal studios for residencies of one, two or more weeks, an opportunity for them to explore new dance ideas, workshop choreography with collaborators and polish technical aspects of their pieces. This support is the cornerstone of an ever fertile and innovative dance milieu.
Long-term, supportive partnership. Artists make themselves at home at the Agora in a long-term residency (2 or 3 years), receiving support throughout the process of creating a new work. In return they contribute to the dance milieu and to audience outreach activities (mentoring, workshops, open rehearsals, etc.).
La 2e Porte à Gauche
For the past decade, La 2e Porte has been a platform for dance that is open to the community. The company specializes in artistic research and development, and its adventurous projects question forms of representation in favour of collaboration with other artists, so as to rethink how the spectator relates to dance. Managed by Marie Béland, Frédérick Gravel, Katya Montaignac and Aude Watier, La 2e Porte à Gauche brings together several creative artists to explore new production models and new spaces for performance and presentation.
A Montreal-based artist, dancer and choreographer, Daina Ashbee received the 2016 CALQ Award (best dance piece of the year) for When the ice melts, will we drink the water?, as well as the Prix de la Danse de Montréal award in the Discovery category for Unrelated. Her work is often influenced by her Cree, Métis and Dutch heritage and her experiences as a young woman, and makes use of both contemporary and traditional means of expression. Most notably, her work has been presented by the Global Alliance against Female Genital Mutilation (Switzerland 2015), and also at the Musée d’ethnographie de Genève (MEG), La Chapelle: Scènes Contemporaines (Montreal 2015, 2016) and the OFFTA (2016).
In autumn 2016 her piece Unrelated was presented in Bergen, Norway and London, England. Daina Ashbee has been awarded mentorships and residencies at Circuit-Est Centre Chorégraphique, the MAI (Montreal, Arts Interculturels) centre and Studio 303 in Montreal
© Patrice Mathieu – Choreographer, Daina Ashbee
Isabelle Van Grimde
A choreographer, founder and artistic director of the Montreal dance company Van Grimde Corps Secrets, Isabelle Van Grimde has had an international career marked by interdisciplinary collaborations that expand the horizons of contemporary dance while multiplying possible perceptions of the body and the piece being staged. Her work is characterized by the quality of the dialogue she encourages between dance and music and, since 2008, by the harmonious integration of new technologies. Open to the world, she conducts theoretical and basic research on the body, research that nourishes and supports her artistic approach. She has been moving away from theatre venues in favour of presenting dance in galleries, public spaces or on the Web. In 2011 the Canada Council for the Arts awarded her the Jacqueline Lemieux Prize for her contribution to enriching artistic life in Canada and abroad.
© Michael Slobodian – Choreographer, Isabelle Van Grimde
Performer in Residence
Dancers are also creators of movement. That is why Agora offers this unique 2-year residency to performers and not to choreographers. During the residency the dancer pursues his or her own research and/or creative projects. Following Sophie Corriveau, the first dancer in residence at Agora from 2014-16, we now welcome Marie-Claire Forté (2017-19).
Marie Claire Forté
Marie Claire Forté likes to think that we can always broaden our perceptions, include more, understand more and find more pleasure… Chorégraphe et danseuse, elle mène ses propres projets et travaille notamment avec Sophie Bélair Clément, Alanna Kraaijeveld, PME-ART, Louise Bédard, Aurélie Pédron, Justine A. Chambers, Martin Bélanger et Projet bk. She danced for four seasons with many choreographers at the now defunct Le Groupe Dance Lab in Ottawa, where she trained daily with Peter Boneham. He remains her great friend and mentor, and they are currently working on a book about his teaching practice. Parallèlement et conjointement à sa pratique artistique, Marie Claire traduit, écrit et enseigne la danse.
In 2016, she and her friend Sophie Bélair Clément created the exhibition project – I’d rather something ambiguous. Mais précis à la fois. with the support of the Leonard & Bina Ellen Program in Support of Artistic Production. From 2017 to 2019, Marie Claire will be dancer in residence at the Agora de la danse.
Her plural path has been supported and inspired directly and indirectly by people and institutions, namely by k.g. Guttman, Lynda Gaudreau, the Leonard & Bina Ellen Gallery, Michèle Thériault, L’Agora de la danse, Catherine Lalonde, Ame Henderson, Public Recordings, Katya Montaignac, Et Marianne et Simon, Catherine Lavoie-Marcus, Toronto Dance Theatre, Christopher House, Noémie Solomon, Jody Hegel, Adam Kinner, Tangente, Circuit-Est, Studio 303, the Casino Luxembourg, Artexte, WP Zimmer (Antwerp), Concordia University and the Regroupement québécois de la danse.
© Paul Litherland – Marie Claire Forté and Alanna Kraaijeveld in Collection de danses de...
The French choreographer recently completed the finishing touches to his new piece Πόλις (Polis) at Agora de la danse as part of an artistic residency exchange program with the Centre chorégraphique national in Tours, France.
Public presentation on March 21 at 4 p.m.
After graduating from the Centre National de Danse Contemporaine d’Angers (France, Class of 1999), Emmanuel Eggermont, join during three years the spanish choreographer Carmen Werner in Madrid. In 2001, he has been invited in Seoul to participate in a project combining pedagogy and choreography. From his two years spent in South Korea, and later from his work with Raimund Hoghe (BoleroVariations, Si je meurs laissez le balcon ouvert and L’Après-midi…), he developed an attention for the essence, what is essential. without denying a research on the possible impact of staging, he has perfected a precise and minimalist choreographic style, to improve the way each detail is valued (given focus), to escape the “profusion” of performance. He developed his choreographic projects since 2007 in Lille (France) at L’Anthracite. Since March 2010, Emmanuel Eggermont has been in research residency at L’L (Brussels), a process which led to the successful creation of T-Wall (2011) and Vorspiel (2013), a piece in wich he invited musicians, actors and fine artist to join the performance. In 2014, he has been invited to participate in Sujets à Vifs for the Festival In d’Avignon. Emmanuel Eggermont recieved a writing bursary by association Beaumarchais-SACD for the choreography Strange Fruit which premiere in may 2015.
Technical and Creative Residencies
Creative artists – choreographers, dancers, stage professionals – are at the very heart of the Agora de la danse mandate, and it was time to set aside a creative space for the dancers. I’m surprised that we didn’t think of it long ago.Francine Bernier