In this striking solo that is part performative installation, part living sculpture, the young choreographer Daina Ashbee pursues her research on body image and perceptions of the female body.
Named the best dance piece of the year at Montreal’s 2016 Prix de la danse awards, this piece is part living sculpture, part performative installation. Working with movement rooted in the dancer’s pelvis, Daina Ashbee pursues her research and her desire to better understand sexuality and body image for contemporary women.
Choreographer Daina Ashbee
Daina Ashbee © Patrice Mathieu
© Bassam Sabbagh
Choreography Daina Ashbee in collaboration with Esther Gaudette
Performer Esther Gaudette
Set design Daina Ashbee
Lighting Daina Ashbee
Music Jean-François Blouin
Technical director Guillaume Simard
March 29 > 31 - 2017 - 7 p.m.
April 1 - 2017 - 4 p.m.
$22 > $35Buy Online
March 29 2017 - 7 p.m.
March 30 2017 - 7 p.m.
March 31 2017 - 7 p.m.
April 1 2017 - 4 p.m.
Best choreographic work (CALQ) + Artist -Prix découverte (Agora de la danse + Tangente), Prix de la danse de Montréal, 2016.
Creative residency at MAI (Montréal Arts, interculturels)
Demanding but necessary work on the part of the two courageous young artists who give their all in this performance.
Review of Pour, Mario Cloutier, La Presse, 2016